In Series: Hermann, Harrow, and Baralaye

The spaces in between things become spaces of possibility—between the seen and the unseen, between the word and its echo, between the body and the trace it leaves behind. The impressions of tactility, the repetition of the same movement forming clay, and the resonance of a hand-built vessel all gather into rhythms of making and being.

 

Personified presence emerges not only in the singular object, but in the chorus of many in fields of relation. A vessel becomes a voice; a sequence becomes a language. One cup in a potter’s hands is an object. A thousand cups is a life.

 

Theoretical physicist Louis de Broglie proposed that any particle with momentum carries an associated wavelength. For everyday objects, these wavelengths remain imperceptible, yet they shape how we encounter matter and meaning. Likewise, in art, the iterative act—the gesture repeated, the form returned to—creates waves of resonance that expand far beyond the object itself.

 

Through their practices, Marie T. Hermann, Del Harrow, and Ebitenyefa Baralaye explore how meaning unfolds not in isolation, but through repetition, variation, and relation. Their works trace the unseen wavelengths of thought, touch, and presence, offering viewers an experience of form as both singular and collective—anchored in process, multiplied through time.